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What is the main idea of the passage?
- The history of Dadaism as the form of art
- The account of unstable movement of Dadaism
- The radical art of Dadaism as a protest against war
- The correspondence of Dadaism artists
Jawaban : a-
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What is NOT mentioned in the passage as kinds of art movement besides Dadaism?
- Realism
- Surrealism
- Socialism
- Modernism
Jawaban : a-
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Which of the following words could substitute the word prevailing in paragraph 1?
- Fascinating
- Existing
- Intriguing
- Challenging
Jawaban : b-
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What was the cause behind the decline of Dadaist movement during the dawn of World War II in Europe?
- The artists were fled into modernism
- Some of the artists disliked the radical art
- The artists were pushed into exile by Hitler
- Some of the artist moved into optimism
Jawaban : c-
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What was the reason behind the forming of Dadaism?
- The influence of Surrealism
- The barbarism of World War I
- The irrationality of the Dadaists
- The radicalism of the movements
Jawaban : b-
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The author of the passage implies that the most important feature for Dadaist art was ....
- the intellectual rigidity of art
- the art as a custom
- the absurdity of art objects
- the reality of art objects
Jawaban : a-
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The pronoun who in paragraph 2 refers to ....
- Marcel Duchamp
- Voltaire
- Max Ernst
- Beatrice Wood
Jawaban : d-
Dadaism or Dada is a post-World War I cultural movement in visual art as well as literature (mainly poetry), theatre and graphic design. The movement was, among other things, a protest against the barbarism of the War and what Dadaists believed was an oppressive intellectual rigidity in both art and everyday society; its works were characterized by a deliberate irrationality and the rejection of the prevailing standards of art. It influenced later movements including Surrealism.
Dada probably began in the Cabaret Voltaire in Zurich in 1916 (by some accounts on October 6), and there were active dadaists in New York such as Marcel Duchamp and the Liberian art student, Beatrice Wood, who had left France at the onset of World War I. At around the same time there had been a dadaist movement in Berlin, Hanover, Cologne, and Paris. In 1920, Max Ernst, Hans Arp and social activist Alfred Grunwald set up the Cologne Dada group. The French avant-garde kept abreast of Dada activities in Zurich due to the regular communications from Tristan Tzara, who exchanged letters, poems, and magazines with French writers, critics and artists. But while broad reaching, the movement was also unstable: 'artists went on to other ideas and movements, including Surrealism, Socialist Realism and other forms of modernism.
By the dawn of World War II, many of the European Dadaists who remained had fled or been forced into exile in the United States, some died in death camps under Hitler, who personally disliked the kind of radical art that dada represented. The movement became less active as post-World War II optimism fed to new movements in art and literature.
The Cabaret Voltaire fell into disrepair until it was occupied by a group claiming to be nee-dadaists in June-August of 2002. After their eviction the Cabaret Voltaire became a museum dedicated to the history of Dada and the Dada movement.
(Adapted from vadous sources - PTT BPPK)